It has become a cliché that we are unable to resist telling each other stories. The building blocks of a story are words and images. They transmit a message of how we see, interpret and understand the patterns of everyday life. What we value, what we desire, and what causes us happiness, grief and suffering. It is what makes us human—this ability to transfer thoughts in the envelope of words and images and sail them across space where they land inside someone else’s head. Often that hidden away thing is alienation. The feeling of anger, emptiness, insignificance and fear that things will end badly.
Rats make a powerful image for the excluded. What is more vile, dirty, feared and hated that urban rats? There have been periods of history where ethnic groups have been likened to rats and we know that boxcars followed those words and people were pushed inside them and sent to their deaths.
My images are metaphors. My words are mostly found inside of books I’ve written. I often write about the ‘rats’ because they deserve a voice. And also I sympathize with their lives. Some of my words leak out in spaces other than books but not that much. This information tells you that what I have to say to you is funneled through commercial channels. You buy one of my books. Or can come here and look at my wall and see what I’ve written.
You don’t have to pay for the words found on this blog. You don’t have to go to a store and ask a clerk if they have my words in stock. Because part of what I do is share ideas and connections because I think this creates a kind of wealth. Any time your words or images make you deliberate about something you have always accepted and never taken the time to think about, your wealth has increased.
You can print out these words and give them to your mother, girlfriend or boyfriend or the neighbour next door. I hope that you will consider doing that. Print it out and slip it under the door. Because the ideas expressed on the paper might just increase their wealth, and you as a wealth generator will have added something to another’s life. Words and images are the outlier’s frequency for transmission work, it becomes slightly more difficult for governments and corporations to control the consumers of their words/images. That’s why censorship has and will likely always remain popular in the official arsenal of weapons to win the daily battle with who challenges the masters. A good essay is a survival kit. Food for thought when you get really hungry for an idea and none is around.
Here are words and images on a wall that is worth a library of noir fiction.
I’ve been thinking about one of the little known wealth creators who uses words and images in public places. His name is Banksy. My good friend Tito Haggardt who together with Mervyn Gillham went to a great amount of trouble to send me Banksy’ Wall and Piece.
I recommend you buy Wall and Piece as a present for upcoming holidays. It may be one of the best gifts you ever give to someone. They will thank you. Like I thank Tito and Mervyn. I owe you. And I always pay my debts especially when someone gives me a book that increases the kind of wealth that I value. This essay is about the wealth I acquired, thanks to the efforts of these two friends. Wealth defined as relieving pain and suffering is explored in a brilliant essay on Ribbonfarm
Who is Banksy? He’s a blank slate. A famous English blank slate born in 1974. Since the 80s (he started young), Banksy found a powerful tool in graffiti as a way to deliver messages left in public places. You won’t find a picture of him. He chooses to remain off the grid; he communicate only with his words and images left in public places—London, Melbourne, Toronto, Los Angeles. Banksy gets around. Until someone in ‘authority’ dispatches a minimum wage worker with a scraper and hose and orders him to remove the words and images. ‘Graffiti’ is the tag society puts on Banksy’s art and I am here to tell you, that is just wrong.
Banksy creates wealth. It is free. He doesn’t ask for money. Though it seems in recent years he’s become very rich through his acts of rebellion and subversion. It’s the way all systems co-opt the Banksy’s of the world—make them one of the elite. From as far as I can tell, Banksy has remained true to his ideals. It would be like Christopher Hitchens making a dead bed conversion to Christianity for Banksy to appear on the Daily Show wearing an Armani suit.
If you study his images and words you will become richer. This is the place where I want to talk about rich and wealth not in the conventional sense of the money in your bank account the worth of your house or car. It is liberating to understand that adding wealth can be done without an exchange of money. Your vault filled with the words and images you’ve collected over a life time will need to be reshuffled, refilled, updated, rearranged, and some of the stuff you’ve been holding onto—well just throw it away. Because there’s stuff you base your ideas about life that are based on bullshit—commercialized words are the worst manure because they don’t smell and we are taught the messages are wholesome, good, beautiful and uplifting. That’s how bullshit works. You didn’t know that as you clutched onto them, but trust me all of us need to periodically house clean the word and image horde we believe represents a coherent view of the world.
This weekend when you go outside your house, apartment, room, tent or trailer rig, stop for a moment and look around at the buildings, walls, bridges, and billboards. Take a look at the assault of words and images trying to get inside your head. You hardly notice them. They are part of the landscape. Look closely and you’ll find all of the spaces are covered with words from officials or businesses—lots of large corporations have pasted your landscape with logos, brands, words, and images. These don’t create your wealth in terms of knowing more about the world. These images are a way to extract wealth from you. They call on you to pay money for something. The words and images are intended to be ‘sticky’ to rattle around inside your unconscious thoughts until you turn into a shop, and find yourself putting a product in your shopping cart and you not sure why that is happening.
What Banksy does is claim the space, which has owners who rent it to people selling you bullshit. These people don’t like the Banksy’s of this world. They are outliers, who stencil non-paying words and images on spaces that mock the bullshit, the lies, the deception and hypocrisy of modern consumer driven life and the political class owned by the corporate class. Or maybe they are one in the same and not two separate things. That is a separate debate.
The authorities and business interest hate it when someone like Banksy creates wealth at their expense. This is the ultimate threat to the entire superstructure of capitalism. How does Banksy create wealth? By making the words and images of our overlords who deliver in all spaces we inhibit one Big Message after another, something quite different; those Big Messages suddenly are small, empty and false.
While a case can be made that artist are by the intrinsic nature of their work are engaged in a form of rebellion. Criminal are almost always not rebels but those who find that money is the quickest path to power, and words and images aren’t anything more than the slogans and brands they can’t wait to possess with their stolen proceeds. Crime fiction—especially the noir crime novels—track the dysfunctional social and political and economic system—showing that putting lipstick on a pig is bound to come to grief once the audience sobers up and pays attention. Banksy’s audience—those who have no voice, no future, no hope or dreams—look to someone to notice there are people like that in the world, to understand that is most people.
BangkokEyes is a great website for many reasons. One of those reasons is the websites extensive collection of hundreds of graffiti images/words found on walls, sidings, buildings and bridges scattered around Bangkok. As a method of expression by the excluded class of people living on the margins, this is the place where the true pulse of ordinary lives can be found. Not on TV, newspapers, the Internet, or in most books. The raw, vibrant, colourful in your face images of and from people who are ignored and want their stories to be told.
That vast audience for the walls painted with unpaid for words and unrented images and make them look at the paid for stuff in a different way. If the mass audience taught to be consumption machines, could switch off that motor, look around, listen to the silence and then write or paint, they’d write a noir crime fiction or they’d find a blank wall and put a story in images to make us think how most people really see their lives if you shut down the noisy motor that destroys all signals except the paid for ones. Tune in to another frequency. Next time you go out the door. Look for what the forces that shape your view of reality want you to ignore.
We have only the illusion of the buyers of wall space to go on. When the caveman carries the tray of fast food and stares at the audience, he’s saying, “WTF are you staring at?”
The answer for those who live margined lives confined to the outside, the message is obvious: Banksy just held up a mirror. For a second time, the same question screams at your from the screen—WFT are you looking at?
That’s you. That me. Can I supersize your day?